The art of painted decoration

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THE ART OF PAINTED DECORATION

Jumbo Collection in-house Master Decorator Danilo Busnelli is a great art lover. His favourite places are churches, particularly those in Piedmont or Genoa, with their Rococo Baroque ornamentation. ‘I like to lose myself in these places and be overwhelmed by inspiration. My greatest satisfaction comes from translating the inspiration into the decorations I develop on the furniture, creating unique atmospheres that have never been realised before,’ says Busnelli.

As a Master Decorator, his work is deeply rooted in art history and craftsmanship. Pictorial decoration in classical furniture is an essential element in enhancing the harmony and elegance of spaces. In this context, painting is not only decorative, but takes on a symbolic and cultural function, enriching the furnishings of all rooms. The motifs are often inspired by mythology, nature and history, creating a visual and narrative link with the architecture. The colour and movement of the decorations harmonise with the richness of materials and shapes typical of classical furniture. The use of golden details, naturalistic or mythological scenes contributes to creating sophisticated atmospheres, emphasising the grandeur of the rooms. 

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Mastering this art requires study and passion. A long and challenging path, which Danilo Busnelli describes as follows: ‘I have trained over many years. I had the good fortune to attend one of the best workshops in Brianza, which has churned out many high-calibre talents who have dedicated their lives to decorating at the highest level. The workshop allowed me and my companions to learn the various techniques of pictorial decoration: from Louis XVI style ornamentation, baroque, rococo, floral, 18th century pastorals with mythological figures. Then I attended the evening school of decoration to perfect the various techniques.’

Today, decorative painting is no longer limited to public or sacred spaces but is also used in private environments to create special and unique atmospheres. Decorative painting continues to be an important practice in the field of interior design, with an increased focus on adapting colours and motifs to more contemporary styles. Traditional techniques are often reworked and integrated with new technologies. In the words of Danilo Busnelli: ‘In recent years, I have tried to experiment with new, modern techniques. I must say that we have achieved very good, amazing and interesting results. The starting point is that the decoration itself must be impactful. Something fresh, as precise as possible, something very rigorous that must create an immediate effect. Few strokes, studied, but few strokes. Whereas painting is more subjective, more fluid, more of fantasy, of imagination, offhand.’

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Busnelli ended his speech with a thought dedicated to the future: ‘I have passed on my craft to a few people, first of all to my son, who wanted to carry on the family tradition and has been very successful. I have passed on my secrets to him, and I am proud of the results. I am very grateful to Jumbo Collection for allowing me to express myself in complete freedom for so many years. I never get tired of this work and of developing new techniques to improve it.’

Pictorial decoration has a rich and varied history that reflects the cultural, social and artistic transformations of mankind. From antiquity to the present day, painting has always played a fundamental role in beautifying spaces, telling stories and transmitting values. With its visual and symbolic power, painted decoration continues to influence our perception of the world around us, evolving in tune with the changing times.

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